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Life
Maliňáková, Kamila ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
My bachelor´s thesis is called Life. My original intention was to paint a monumental, perfect picture, triptych of good, evil and something in between. Something like an altar of 2014 according to the model of the old masters. But at the beginning of my work there were a lot of doubts about my painting. It became more and more fabricated, which was confirmed by my teachers too. And therefore I decided to reassess my work and I found out, that more interesting than original painting is a backstage of my painting, the things, that hapeend around. And this is now a topic of my bachelor´s thesis - Backstage of my painting.
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Threesome
Štefanigová, Denisa ; Novotný, Michal (referee) ; Malý, Břetislav (advisor)
Painting act as an act of making love The bachelor thesis is a serie of paintings on canvas, which strives to make the erotic images that each of us creates on the basis of his own imagination from day to day. They are unrealized, or dreamed and are not anchored in reality, thus creating a new reality, functioning in the space of our heads. This is how painting works for me. As a space in which something can happen that doesn't really exist.
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Untitled
Khaledová, Fátima ; Vítková, Lenka (referee) ; Sterec, Pavel (advisor)
To my final work, I chose the painting, even though I'm the medium in my previous one She was not using too much work. Both the form and the content of the final thesis were selected from the sentimental ones Reasons, and I returned to my high school years when I studied the painting and mine The inspiration source was, and for these paintings are Pierre Bonnard and Kamila Zemková. My Painting idols are due to a very structural painting, full of beautiful colors and of course content Their works which appear in my works.
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In the Forrest
Pucharová Kramářová, Vendula ; Dub, Petr (referee) ; Lahoda, Tomáš (advisor)
My work began with taking photos in the forest at night; this work was very important to me because of the mysterious feeling. My paintings are stylized more than realistic. I'm captivated by untidy nature, with fallen trees and decaying stumps. Oil is my medium- some places are detailed while others are expressive.
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Spectres and Illusions
Arendárik, Ján ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
The subject of my practical diploma thesis is a painting reaction to the photographs from years 1915 to 1930. I see them as a " photographs of dead(lost) world. The photographs of people whose dont live in present but the photographs are evidence of their existence in the past.
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Zenith House
Roudnická, Michaela ; Zálešák, Jan (referee) ; Houser, Milan (advisor)
Diploma project Zenith House is trying to find and map a position of figural painting in a contemporary art world. Through a detailed study of works of contemporary painters, who use historical influences and compositions, it argues the evolution of painting. It slightly touches the phenomenom of portraiture and the contemporary trend of de-skilling the craftsmen.
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The Painter's Year
Kachlíková, Barbora ; Pospiszyl,, Tomáš (referee) ; Rathouský, Luděk (advisor)
I have been working on my Master degree work at art residenci in Gedok art centrum in Stuutgart,Germany. Thecollection of work is consist of approximately 15-20 works.Medium is painting, technique oil on canvas. The serie of paintings has different kind of measures, from 80x90cm to 200 x 200cm.
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Surface treatment of a composite part
Bahenský, Štěpán ; Žák, Ladislav (referee) ; Kubíček, Jaroslav (advisor)
This diploma thesis focuses on composite materials and the possibility of their surface treatment with a focus on painting. The aim was to create a layer on the surface of the material that would serve as protection against UV radiation and subsequent degradation. The first theoretical part is devoted to the material composition. In the subsections, the different types of functional components of the composites are presented. Their possible applications as well as their advantages and disadvantages are described. In addition, the theoretical part is supplemented by the types of methods used for the production of composite materials and the subsequent surface preparation in order to improve the adhesion properties of the material to the paint. The second part, which was developed in cooperation with GDP Koral, s. r. o., deals with the chosen type of surface treatment for composite materials produced by the pultrusion method. The UV coating method was chosen, where the wet layer of the varnish is cured by UV radiation. Two sets of samples were created, which differ in both the method of varnish application and the parameters of the curing process. Mechanical tests were then performed on each sample to verify the resulting adhesion capability of the paint system. The practical part also includes the design of possible technologies for the implementation of the surface treatment in the production line. In the third part, a techno-economic evaluation is presented, which focuses on the cost comparison of standard painting and painting with UV varnishes. The final section contains a summary of the findings and an evaluation of the chosen type of coating with respect to the results of mechanical tests and the possibilities of application in a pultrusion production process.
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